Vincente Minnelli’s emphasis on visual effects and props sometimes led him to neglect the essential — namely the actor before the camera. The bathroom scene [in Yolanda and the Thief, 1945] was a case in point. Kay Thompson visited the set to watch the shooting, and recalls, “Lucille [Bremer] was in her elaborate bathtub, filled with soap bubbles and water, liquid soap and perfume. On the marble ledge of the tub was a telephone. It would ring, Lucille would pick up the receiver and say, “Hello,” and that gargoyle had to show through the arch of her arm. Vince [Minnelli] was riding the boom and had a man stationed underneath. “We can’t see the gargoyle, Mr. Minnelli.” Vince would come down and rehearse and rehearse. Meanwhile, here’s Lucille sitting in the bubble water, on a vibrator. [...]
Minnelli recalls the incident. “Arthur Freed and I did have an enormous fight, because Lucille seemed to pass out or become weak or something. It was nonsense, because I had the water warm — body temperature — and it was just a case of nerves.” Minnelli cannot remember anything about gargoyles, telephones, soap bubbles, or a vibrator. (167)
– Hugh Fordin, MGM’s Greatest Musicals: The Arthur Freed Unit



























