DATE TOPIC / READING / SCREENING

Jan 10-16 Content 1: The Study of Film, An Introduction
READING / CONTENT: Welcome / Chapter 2 and Intro and Form. No feature-length screening this week.
Jan 17-23 Content 2: Mise-en-Scene
READING / CONTENT: Chapter 5 / Mise-en-Scene.
SCREENING: Do the Right Thing (Spike Lee, 1989; 120 m).
Jan 24-30 Content 3: Cinematography
READING / CONTENT: Chapter 6 / Cinematography.
SCREENING: Citizen Kane (Orson Welles, 1941; 119 m).
Jan 31-Feb 6 Content 4: Editing
READING / CONTENT: Chapter 8 / Editing.
SCREENING: Rear Window (Alfred Hitchcock, 1954; 112 m).
Feb 7-13 Content 5: Sound and Sound Design
READING / CONTENT: Chapter 9 / Sound.
SCREENING: Singin’ in the Rain (Stanley Donen and Gene Kelly, 1952; 103m).
Feb 14-20 Exam 1 (The Four Elements of Film Style)
Feb 21-27 Content 6: Narrative Cinema
READING / CONTENT: Chapter 4 / Narrative. No feature-length screening.
Feb 28-Mar 6 Content 7: Genre (Film Noir)
READING / CONTENT: Chapter 3 (76-end only) / Genre.
SCREENING: Double Indemnity (Billy Wilder, 1944; 107m).
Mar 7-13 Spring Break. No class.
Mar 14-20 Content 8: Documentary Film
READING / CONTENT: Chapter 3 (64-75 only) / Documentary.
SCREENING: Religulous (Larry Charles, 2008; 101m).
Mar 21-27 Exam 2 (Introduction to Film, Narrative, Genre, and Documentary)
Mar 28-Apr 3 Content 9: Early and Postwar Film Movements, and The New Hollywood
READING / CONTENT: Chapter 10 / Movements.
SCREENING: Bonnie and Clyde (Arthur Penn, 1967; 105 m).
Apr 4-10 Content 10: Film Focus: Race and Representation
READING / CONTENT: Supplemental Reading / Race.
SCREENING: Boyz n the Hood (John Singleton, 1991; 112m).
Apr 11-17 Content 11: Film Focus: Gender and Sexuality
READING / CONTENT: Supplemental Reading / Gender.
SCREENING: American Gigolo (Paul Schrader, 1980; 117 m).
Apr 18-24 Content 12: Cinema as Industry: Making the Movie and The Economics of Film
READING / CONTENT: Chapter 11 / Industry.
SCREENING: This Film Is Not Yet Rated (Kirby Dick, 2006; 98m).
Apr 25-May 1 Exam 3 (Film Movements, Race, Gender, and Cinema as Industry). This is your final exam.
 

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