Calendar

All assignments are listed by the date on which they are due. All screenings are in-class unless otherwise noted. Also, the class calendar is subject to change: if a change occurs, it will be announced in class and posted online. If you lose this syllabus, an extra copy may be printed from the course site.

SECTION 1 – PREDECESSORS AND COMPETITION

Jan-14    Situating Seinfeld I: Cheers (1982-1993)

  • SCREENING: “Don Juan Is Hell ” (12/12/85)

Jan-16    Situating Seinfeld 2: The Cosby Show (1984-1992) and Home Improvement (1991-1999)

Jan-18    The Show about Nothing…and Everything

  • SCREENING: “The Ticket” (Part 2, 08/16/92)
  • READING: “Much Ado about Nothing: Some Final Thoughts on Seinfeld” in MID (13-23)

SECTION 2 – CHARACTER AND NARRATIVE

Jan-21    Martin Luther King, Jr. Holiday. No class.

Jan-23    Moops, Mentors, and George Costanza

  • SCREENING: “The Bubble Boy” (10/07/92) and “The Fatigues” (10/31/96)
  • SEINLANGUAGE: A Character Study

Jan-25    Continuation of a Character Study

  • SCREENING: “The Engagement” (9/21/95) [PARTIAL] and “The Invitations” (5/16/96)
  • READING: “Why Is George So Funny?”

Jan-28    Narrative Structure, Part 1: Elongation and Multiplicity

  • SCREENING: “The Chinese Restaurant ” (05/23/91) and “The Subway” (01/08/92)
  • SEINLANGUAGE: Narrative

Jan-30    Narrative Structure, Part 2: Intersection

  • SCREENING: “The Marine Biologist” (02/10/94)
  • READING: “Genre Expectation and Narrative Innovation in Seinfeld” in MID (77-88)

Feb-1    Writing Workshop: Entering the Conversation

  • READING: Introduction (1-14), Ch. 1 (17-27), and Ch. 8 (101-114) in TS / IS

SECTION 3 – MISE-EN-SCENE, INTERTEXTUALITY, AND LANGUAGE

Feb-4    “No Soup [or Chocolate Babka] for You!”: Food As Mise-en-Scene

  • SCREENING: “The Dinner Party” (02/03/94) and “The Soup Nazi” (11/02/95)
  • SEINLANGUAGE: Mise-en-Scene

Feb-6    Food on Seinfeld:  Identifier, Metaphor, and Code for Living

  • READING: “Seinfood: Purity, Danger, and Food Codes on Seinfeld” in MID (148-58)

Feb-8    Writing Workshop: The Art of Summarizing, Quoting, and Responding

  • READING: Ch. 2 (28-37), Ch. 3 (39-47), and Ch. 4 (51-63) in TS / IS

Feb-11    Talking Topics. Online discussion. See course site for instructions.

  • WRITING [DUE BY MIDNIGHT FEB. 11]: Email Brief for Essay 1. Directions on course site. (NOTE: Points will be deducted for lateness.)

Feb-13    Dr. Marshall at a conference. No class.

  • WRITING: Begin Draft 1 of Essay 1

Feb-15    Dr. Marshall at a conference. No class.

  • SEINLANGUAGE: Intertextuality
  • WRITING: Work on Draft 1 of Essay 1

Feb-18    Intertextuality 1: Fashion, Low Talkers, and Today

  • SCREENING: “The Puffy Shirt” (10/03/96)
  • READING: “Seinfeld as Intertextual Comedy” in MID (49-57) and “The Shirt Off His Back” (online)
  • WRITING: Draft 1 of Essay 1 due. Submit only the first two pages. FORMAT: see p. 3.

Feb-20    Writing Workshop: Models Feedback

Feb-22    Intertextuality 2: Seinfeld Signals Its Nature As a Sitcom

  • SCREENING: “The Bizarro Jerry” (10/03/96)
  • READING: “Seinfeldisms” (online) and Glossary in MID (223-30)
  • WRITING: Personal Feedback for Essay 1

SECTION 4 – RACE AND RELIGION

Feb-25    A Comedic Conversion and Shiksa Appeal

  • SCREENING: “The Yada Yada” (04/24/97) and “The Serenity Now” (10/09/97)
  • SEINLANGUAGE: Religion
  • WRITING: Revise Draft 1 of Essay 1

Feb-27    Seinfeld Is a Jewish Sitcom, Isn’t It?

  • READING: “Seinfeld: A Show (Almost) about Nothing” in MID (23-27) and “Seinfeld Is a Jewish Sitcom, Isn’t It?” in MID (117-38)
  • WRITING: Revise Draft 1 of Essay 1

Feb-29    Christianity and Festivus: Other Religions on Seinfeld

  • SCREENING: “The Burning” (03/19/98) and “The Strike” (12/18/97) [PARTIAL]
  • NOTE: Essay 1 should be mostly complete at this point. Put the paper aside; distance yourself from it. We will edit it more at the end of the semester.

Mar-3    Writing Workshop: Planting Naysayers and Saying Why It Matters

  • READING: “Festivus: A Holiday for the Rest of Us” (online); also Ch. 6 (74-87) and Ch. 7 (88-98) in TS / IS

Mar-5    “False Advertising?”: Seinfeld on Race and Stereotyping

  • SCREENING: “The Wizard” and “The Chinese Woman”
  • SEINLANGUAGE: Race and Ethnicity

Mar-7    More on Race and Ethnicity

  • READING: “Race and Ethnicity: ‘Look to the [Black and White] Cookie, Elaine!’” (handout)

Mar-10-14    Spring Break. No classes.

SECTION 5 – SEX AND SEXUALITY

Mar-17    Seinfeld on Sex, Part 1: “Friends with Benefits”

  • SCREENING: “The Deal” (06/02/91)
  • SEINLANGUAGE: Interpreting Sex

Mar-19    Seinfeld on Sex, Part 2: Master of Their Domains

  • SCREENING: “The Contest” (02/18/92)
  • READING: “A Look at Our Dark Side: Seinfeld‘s Humor Noir” (online)

Mar-21    Good Friday Holiday. No classes.

Mar-24    Talking Topics. Online discussion. See course site for instructions.

  • WRITING [DUE BY MIDNIGHT MAR. 24]: Email Brief for Essay 2. Directions on course site. (NOTE: Points will be deducted for lateness.)

Mar-26    “Not That There’s Anything Wrong with It”: Sexuality on Seinfeld

  • SCREENING: “The Outing” (02/11/93)
  • SEINLANGUAGE: Sexuality and Sexual Preference
  • WRITING: Begin Draft 1 of Essay 2

Mar-28    Men in Crisis: Homosocial or Homosexual Environment?

  • READING: “Male Anxiety and the Buddy System on Seinfeld” in MID (89-107) and “‘Not That There’s Anything Wrong with That’: Reading the Queer in Seinfeld” (online)
  • WRITING: Work on Draft 1 of Essay 2

SECTION 6 – POLITICS AND PARENTS

Mar-31    Politically Correct: Seinfeld on Ethnicity and Abortion

  • SCREENING: “The Couch” (10/27/94)
  • WRITING: Draft 1 of Essay 2 due. Submit only the first two pages. FORMAT: see p. 3.

Apr-2    Writing Workshop: Models Feedback

Apr-4    Satire and Politics in Seinfeld

  • READING: “A Show about Nothing: Seinfeld and the Modern Comedy of Manners” (online) and “Seinfeld‘s Democratic Vistas” (online)
  • WRITING: Personal Feedback for Essay 2

Apr-7    Parenting and Godparenting on Seinfeld

  • SCREENING: “The Bris” (10/14/93)
  • SEINLANGUAGE: Parents and Children
  • WRITING: Revise Draft 1 of Essay 2

Apr-9    No Family, No Homeplace, No Workplace: Seinfeld and Grown-Up Children

  • SCREENING: “The Soul Mate” (10/26/96)
  • READING: “Parents and Children in Seinfeld” in MID (108-116)

Apr-11    Writing Workshop: The Expanded Essay (Essay 3)

  • NOTE: Essay 2 should be mostly complete at this point. Put the paper aside; distance yourself from it. We will edit it more shortly.

SECTION 7 – SEINFELD: THE END OF AN ERA?

Apr-14    Screening the Sitcom

  • SCREENING: Take notes on the sitcom(s) you will explore in your expanded essay. No class.
  • WRITING [DUE BY MIDNIGHT ON APR. 14]: Email Brief for Essay 3. Directions on course site. (NOTE: Points will be deducted for lateness.)

Apr-16    The Bad Samaritans

  • SCREENING: “The Finale” (10/14/98)
  • SEINLANGUAGE: The Finale
  • WRITING: Begin Draft 1 of Essay 3

Apr-18    Seinfeld‘s Curtain Call

  • READING: “Sitcoms Say Goodbye: The Cultural Spectacle of Seinfeld’s Last Episode” (online) and “Television News Plugola and the Last Episode of Seinfeld” (online)
  • WRITING: Work on Draft 1 of Essay 3

SECTION 8 – SEINFELD AND SYNDICATION

Apr-21    Another Character Study: Larry David (and George Costanza) after Seinfeld

  • SCREENING: Curb Your Enthusiasm (“The Car Salesman” and “The Shrimp Incident”)
  • WRITING: Work on / Revise Draft 1 of Essay 3

Apr-23    Branding Seinfeld

  • READING: “Rereading Seinfeld after Curb Your Enthusiasm” in MID (203-222) and “From Must-See-TV to Branded Counterprogramming” in MID (186-202)
  • WRITING: Work on / Revise Draft 1 of Essay 3

Apr-25    Final Exam

Apr-28-30    Work on Portfolio. No classes.

May-2    Portfolio due by noon in Dr. Marshall’s office (Reed 314 A)

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